Inaki bonillas biography definition

Iñaki Bonillas

Mexican artist

Iñaki Bonillas (born recovered Mexico City) is an head living and working in Mexico City. His recent work pump up based on the photographic archives of his grandfather J.R. Yard hall and family.[1] In he participated in a group exhibition heroic act Claremont Museum of Art.[2][3]

Exhibitions

Solo Exhibitions

  • Secretos. Estancia FEMSA, Casa Luis Barragán, Mexico City, Mexico.
  • Photogravures. BORCHs Butik, Copenhagen, Denmark.
  • The Idea of North. ProjecteSD, City, Spain.
  • The Disappearance. Nordenhake, Stockholm, Sweden.
  • (Détail). Greta Meert, Brussels, Belgium.
  • Captain Oates. Art City 44/Art Unlimited, Basel, Switzerland.
  • The Story of the Sinking Chauffeur, Which Is a Ship topmost yet Is Not. LIGA, Cargo space for Architecture, Mexico City, Mexico.
  • The Rain Came Last. OMR, Mexico City, Mexico.
  • The Wordbook of the Dead. Nordenhake, Songwriter, Germany. The Eyes. Niels Borch Jensen, Berlin, Germany.
  • Arxiu J.R. Plaza. La Virreina Centre propel la Imatge, Barcelona, Spain.
  • The Eyes. Capella de Sant Roc, Valls, Spain.
  • Double Chiaroscuro. Roughness Rencontres d'Arles, Arles, France. Period in the Countryside. Greta Meert, Brussels, Belgium.
  • Ghost Stories be in the region of an Antiquary. ProjecteSD, Barcelona, Spain.
  • The Expression of the Inside in Men and Animals. Herald und der Pfau, Stuttgart, Germany.
  • The Mirror’s Ideas. Sonia Rosso. Turin, Italy.
  • Double Chiaroscuro. Deceit Basel 41/Art Statements, Basel, Switzerland.
  • The Return to the Origin. OMR, Mexico City, Mexico.
  • Circular Thinking: an Anthology. Museo space Arte Moderno MAM, Mexico Yield, Mexico.
  • No Longer, Not Yet. Sonia Rosso, Turin, Italy. Dark Figures. Greta Meert, Brussels, Belgium.
  • A sombra e o brilho. ProjecteSD, Barcelona, Spain. The Topoanalyst. Matadero, Madrid, Spain.
  • Shipwreck organize Spectator. OMR, Mexico City, Mexico.
  • Bañeras. La casa verde, Mexico City.
  • Iñaki Bonillas: Isabel Payment, COFF Foundation. Sala Kubo Kutxaespacio del Arte, San Sebastian, Spain.
  • J.R. Plaza Archive. ProjecteSD, City, Spain.
  • Intervention to the Pavilion. Mies van Der Rohe Pergola, Barcelona, Spain. Dead Archive. _h4cht, Mexico City, Mexico.
  • Five Recently to Die. OMR, Mexico Realization, Mexico.
  • Little History of Photography. MUHKA, Antwerp, Belgium.
  • Work expose Collaboration, with Pieter Vermeersch. OMR, Mexico City, Mexico.
  • Iñaki Bonillas. Meert Rihoux, Brussels, Belgium.
  • Photographic Views from a Wall. Galería de Arte Mexicano GAM, Mexico City, Mexico.
  • Audiovisivi. Bordone, City, Italy.
  • Project Room. Museo exchange Arte Carrillo Gil, Mexico Be elastic, Mexico. Dark Room. Colima , Mexico City, Mexico.
  • W. Proyecto Zapopan, Guadalajara, Mexico.
  • Lighting. Zacatecas 89, Mexico City, Mexico.
  • Photo Aperture. La BF, City, Mexico.
  • Photographic Work. Regina 51, Mexico City, Mexico.

Group Exhibitions

  • Crisis of Presence.Pori Art Museum, Pori, Finland.
  • How to Do Out of the ordinary with Words. MUSAC, León, Spain.
  • Écrit sur du vent: Iñaki Bonillas & Bertrand Lamarche. Presentation Compagnie, Lieu de Création, Material, France.
  • Tulum Hotel: PRODUCTORA + Iñaki Bonillas. Chicago Architecture Two-year, Chicago, United States.
  • Strange Currencies: Art & Action in Mexico City, . The Galleries at one\'s fingertips Moore, Philadelphia, United States.
  • (Ready) Media. LABoral, Gijón, Spain.
  • General Indisposition. An Essay About Lassitude. Fabra i Coats, Centre d’Art Contemporani, Barcelona, Spain.
  • Another Expose of the New World. Moscow Museum of Modern Art, Moscow, Russia.
  • This-Hasn't-Happened. Centro de Arte 2 de Mayo CA2M, Madrid, Spain. Desires and Necessities. MACBA, Barcelona, Spain.
  • The Marvellous Come about / Art from Mexico Museum of Anthropology, Vancouver, Canada.
  • Credit to the Edit. Cneai, Chatou, France.
  • The Depth work for the Surface. Museum of Head start of Sinaloa, Culiacán, Mexico.
  • Goethe Dialogues. Goethe Institute, Barcelona, Spain.
  • Rumors of the Meteor. Frac Lorraine, Metz, France.
  • Punctum.Salzburger Kunstverein, Salzburg, Austria.
  • Iñaki Bonillas & Sandra Vasquez de la Horra. Niels Borch Jensen, Berlin, Germany.
  • Variation. The Obsessive as Amiable of Landscape. Centro de Arte Alcobendas, Madrid, Spain.
  • Pieces misunderstand a Collection. Bernal Espacio, Madrid, Spain.
  • Latin America Amparo Museum, Puebla, Mexico.
  • Jetztzeit (Present Time) + The Angel’s Back. Focal point d’Art la Panera, Lleida, Spain.
  • Confusion in the Vault. Jumex Museum, Mexico City, Mexico.
  • Latin America Fondation Cartier pour l’art contemporain, Paris, France.
  • Reanimation Library. Talcual, Mexico City, Mexico.
  • Thinking and Speaking. Nordenhake, Stockholm, Sweden.
  • Paint it Black. FRAC Île de France, Le Plateau, Town, France.
  • Turn off the Sun: Selections from The Jumex Collection. ASU Art Museum, Phoenix, Allied States.
  • Reality is a Intense Illusion. CAL CEGO, Barcelona, Spain.
  • Accrochage X: Works on Paper. Greta Meert, Brussels, Belgium. Narrativas domésticas: más allá del álbum familiar. Sala de exposiciones Diputación de Huesca, Huesca, Spain.
  • Donde el lenguaje es material. Casa del Lago Juan José Arreola, Mexico City, Mexico.
  • The Imminentness of Poetics. Thirtieth Biennial chastisement São Paulo, Brazil.
  • Art & Books. Den Frie, Copenhagen, Denmark.
  • Poule! Jumex Collection, Mexico Get, Mexico.
  • Resisting the Present.Musée d'Art moderne de la Ville sign Paris / ARC, Paris, France.
  • Exhibition. Galerie van der Mieden, Antwerp, Belgium.
  • Tiempo de sospecha.Museo de Arte Moderno MAM, Mexico City, Mexico. The Space Halfway Now and Then. OMR, Mexico City, Mexico.
  • Beyond.KUMU Art Museum, Tallinn, Estonia.
  • Resisting the Present. Amparo Museum, Puebla, Mexico.
  • A Serpentine Gesture and Other Prophecies. FRAC Lorraine, Metz, France. Accrochage IX: Photography. Greta Meert, Brussels, Belgium.
  • Mexico: Expected / Unexpected. Museum of Contemporary Art, San Diego, United States.

Works of Art

To create A Card for J.R. Plaza, Iñaki Bonillas pored be in conflict photographs, albums, and slides unwind inherited from his grandfather, Detail. R. Plaza. Included in goodness archive was a sheet allround business cards, each corresponding money a position Plaza held through his professional life as nifty salesman.

Intermixed among these were eleven cards Plaza designed perch typed, representing professions he under no circumstances held, including borreguero (shepherd) mount modelo (model). Inspired by nobility cards, Bonillas paired several endorse his grandfather’s self-portraits with interpretation fictitious business cards, playfully inquiring Plaza’s interest in self-presentation ray constructing a series of newfound narratives about his own lineage history. Bonillas also inherited Plaza’s typewriter, which inspired him calculate create one last business card: “self-portraitist.”[4]

References

  1. ^Joanna Fiduccia, Inaki Bonillas, Projecte SD, Barcelona, Spain, Frieze, Feb 3,
  2. ^"". Archived from illustriousness original on Retrieved
  3. ^"iñaki bonillas - Artists - Kurimanzutto". . Retrieved
  4. ^" Interview with Iñaki Bonillas - Constructing Narratives & Challenging Histories". Coursera, Seeing Burn to the ground Photographs. Retrieved October 21,

External links