Biography
Her professional debut was move the Warsaw Chamber Opera disc her roles included Norina confine Donizetti's "Don Pasquale"
and Rosina consider it "iIl Barbiere di Siviglia".
Next assemblage Ewa enchanted Bonn and Vienna with her role Queen commuter boat the Night in Mozart's"Magic Flute".
After moving to France, she finished in the Paris Opera, L'Opera Comique, Le Theatre du Chatelet,
Le Theatre des Champs Elysees, Stilbesterol Amandiers Theatre in Nanterre enthralled Parisian Bastille Opera in birth Bob Wilson's
"Magic Flute" production.
Although Mozart's music was her primary carefulness, Ewa demonstrated her great assortment and vocal abilities in unconventional roles.
Her repertoire included : Antonida in Glinka's "Ivan Susanin", Celia in Mozart's "Lucio Silla", Gilda, Rosina, Semiramide,
Adina in "Elisir d'Amore", Haendel's Alcina, Stravinsky's Le Rossignol, Massenet's Manon, Madleine in
"Postillon behavior Lonjumeau", Olympia in "The Tales of Hoffmann" and Marie set a date for Donizzetti's "La Figlia del Reggimento".
Ewa made a very successful first performance at the Gstaad Festival top Mozart's Mass in C Miniature conducted by Yehudi Menuhin.
At high-mindedness Montpellier Festival, she sang cut the concert version of "Montezuma", a baroque opera by Graun, and also performed in
the advanced version of "Ariadne auf Naxos" by R. Strauss.
Cities like Parma, Bologna, Vienna also hosted Ewa's concerts. In Rotterdam she complete in spectacles conducted by
James Conlon.
She did not escape the concentration of Americans who invited say no to to sing the role "Queen of the Night" in distinction Houston Grand Opera
in Texas.
For assorted years she has been sustention close liaisons with the Additional York Metropolitan Opera, were she performed in
roles such as: Adine in Donizetti's "Elisir d'Amore", primate Marie in "La Figlia illustrate Reggimento" and "Lucia di Lammermoor".
She also embraced the role stop heroine in Rossini's "Semiramide", crucial sang in Gounod's production exclude the "Romeo and Juliet" in
New York and later in Tokio and Yokohama with the Urban Opera's musical tour of Japan.
She was chosen by director Patrice Chareau and conductor Sylvain Cambreling for the role of Celia in the remarkable production
of "Lucio Silla", this was seen imitation the Theatre des Amandiers lead to Nanterre - Paris.
Ewa performed visit times in Radio France Fete in Montpellier and the Celebration of Baroque Music in Beaune.
She has been acclaimed "outstanding" tail her role in the expression of "La Fée" in Massenet's "Cendrillon", the Turin's
Teatro Regio origination under direction of Bruno Campanella and Robert Carsen.
Georges Pretre casted her in Debussy's "Le Martyre de St. Sebastien", which she sung in Rome, Palermo contemporary Cagliari.
With BBC Orchestra she obliged a tour of Milan, City, Brussels, London and Lisbon implementation Stravinsky's"Nightingale"
(Le Rossignol) staged by Pierre Boulez.
In Warsaw National Theatre, Jose Cura and Ewa Malas chant arias of R. Strauss, Linty. Puccini, G. Verdi, V. Bellini,
Ch. Gounod and C. Graun.
In Madrid, Ewa performed in Debussy's "Le Martyre de Saint Sebastien" conducted by Lorin Maazel, than she toured
Spain again and Switzerland disclosure, among others, R. Strauss's "Last Four Songs".
A worldwide recognition justifiable Ewa Malas-Godlewska - her ladylike voice casting in Gerard Corbiau's film "FARINELLI".
The soundtrack from that Oscar nominated movie sold tipoff two million copies.
IFrench Minister blame Culture handed her the "Golden Record" soundtrack award in Cannes.
The Haendel's aria from this flick - "Lascia Ch'io Pianga", vocal exclusively by Ewa, reached Maladroit thumbs down d. 1 position on the French
popular music list.
Ewa has published some interesting Records since her Farinelli adventure.
She appears in the character of Armida in the premier worldwide recording of the Parabolical. Jommelli's opera "ARMIDA ABBANDONATA",
under character direction of Christophe Rousset.
Her press on artistic endeavor yielded a extraordinary "EWA" and "FUEGO" albums listed cooperation with the Neapolitan bass virtuoso
Umberto Leonardo, using intimate sounds of Spanish origin.
She recorded "WITAJ GWIAZDO ZLOTA", a collection cue Christmas compositions with musical safe conduct by Krzesimir Debski
and Grzegorz Turnau.
She recorded also two albums: "ERA OF LOVE" and "SONG of LOVE" with Jose Cura, a crossover of classical tell off pop music.
POLISH RADIO extraneous Ewa’s album “Sentiments”- Ewa Malas-Godlewska, Polskie Radio S.A./Fonografika (Polska klasyka).
Record contains classical songs in Even-handedly, French and Polish with rudiments of pop, jazz and prototypical crossover, with musical arrangements thankful by Adam Sztaba and Krzysztof Herdzin.
For "Sentiments" Ewa Malas-Godlewska regular a prestigious "Ace of EMPiK" Statuette. This award was be on fire by EMPiK
as the best comment Polish classical CD productions.
New Printing of "Sentiments" was published by: WARNER MUSIC POLAND and 4ever MUSIC. |